Ever watch a movie or read the credits and notice no less than a dozen producers credited on the film? It happens all the time, and more often than not those reading the credits have no idea who was the “producing producer,” you know the guy or gal who made the project happen from development to the moment you watch the movie on screen. This upset a lot of folks who put in hard work only to wind up squeezed into a credits roll with a bunch of people who may have done as little as write a check. In 2012 the PGA sought to remedy this with a special designation – the producers mark. The guild set a list of requirements so that the “producing producers” would have a PGA designation after their name in the credits, like “PRODUCERS NAME, pga.” So now with the producers mark, suddenly everyone would know which folks are the real players and who just cut the check etc.
On Twitter there are no such designations. In fact there may not even be a credit list. Yet young filmmakers put in their bio “producer” “screenwriter” or any number of above the line titles with no accountability all the time. This post is about why you need to stop this or just never do it in the first place.
Saying you’re a producer on twitter with a single small indie under your belt and no theatrical release is in my and many other’s eyes extremely unprofessional. Unlike those folks dog-piling behind those with a producers mark, you’re likely not making any money as a “producer” nor do you likely have a distribution deal or any viable way of making money on your film.
But you produced a film, you may say. That’s a very low bar to set. Literally thousands of films are made every year, but few ever see a theatrical release. Making a small film released direct to video does not qualify you as a producer. Merely having done something – the task of a producer – does not make you a producer. It does not qualify you as a producer any more than drawing a doodle in a note book qualifies someone as an artist.
Ok but you still might introduce yourself as such. So why is this unprofessional? Simply because relatively speaking, it looks like bullshit. You’re probably a small timer – like me. You not only lack PGA affiliation, you lack a list of **theatrical** credits to call yourself a producer. So when someone browses your twitter – maybe even a producer looking to hire you as an assistant – you look like an idiot. You throw up red flags because you look like the person who will exaggerate their station in life, and frankly Hollywood has enough of these people.
What distinguishes a producer, writer or any other above line title is theatrical credits — not dubious IMDb credits — a film that was actually released, aka produced credits. Something people could go and see in theaters – no matter how small the release.
So when is it acceptable to put above the line titles in your bio? Apart from produced credits, there are a few acceptable instances:
1. Promoting your work. Perhaps you want to draw attention to something you recently did, “director of FILM NAME” is fine. I think this only works when you’re actively promoting a film in release or are trying to raise awareness. Also, I would never put “producer of FILM NAME” unless it was a financial or festival success. After it’s been out and failed to gain traction, I would just leave it off the bio altogether in all cases. Nobody cares that you made a film no one heard of.
2. Writer v working writer v screenwriter. What’s the difference? Working writer is a good way to differentiate yourself from the legion of folks in the film twitter community who call themselves writers. It implies your day job is writing. Screenwriter in my opinion is also a professional designation and unless you have produced credits, optioned properties, i.e you write for the screen in a professional sense, I would not include that in a bio. I personally see the value of having writer in my bio, because I do write. For networking purposes it is important to introduce myself as such but I would never introduce myself as a screenwriter even though my primary medium is script writing. That’s because once you do so the next logical question is “what have you written” and unless you can reply with produced credits or optioned scripts, it doesn’t look good. Writer allows you to discuss your medium, genre and what your goals are in a professional sense without giving the impression you already made it.
3. Finally, actor or comedian. Actors/comedians need to put themselves out there in a different way. From headshots to reels, I think it’s fine to include these titles in your bio because you’re actively recruiting interest in yourself for networking purposes. I would still be cautious of adding dubious credits or unknown projects to your bio. Personally I’d rather see a cleverly written bio than “actor in PROJECT” every time. It also helps if you have reels or things to link to, otherwise you too may look like little more than an aspirant.
I think the key in all this is that perception is reality. You can really cost yourself reputation points trying to make yourself look more professional than you are. In an industry full of bullshiters, it’s quite easy to spot bullshit. Don’t look like the person who takes themselves too seriously, adding unearned credits to their bio. Be the person people want to work with. Tell a joke, let your personality shine in your bio. Don’t be another kid with “director/screenwriter” and a link to their Vimeo, they’re a dime a dozen and the key to this business is sticking out.